Sofía Vergara’s Old Money Living Room Is a Manifesto in Layering Antiques – It’s How Designers Give Neutrals Soul
In her Beverly Park mansion, subtle patina and historical details bring dimension to soft neutrals
The secret to making a neutral living room feel warm is not necessarily adding more color. Often, it is about introducing something with a little history.
Sofía Vergara’s Beverly Park living room makes a beautiful case. In this space, white sofas sit alongside carved armchairs, marble, and an ornate stone fireplace, while gilded frames and an intricate chandelier bring another layer of detail to the restrained palette. It's a blueprint for neutral living room ideas that are anything but vanilla.
To get the look, an antique chair with an ornate silhouette (like this one from 1stDibs) adds the right amount of old-world character without pulling the room away from its neutral foundation.
Decorating with neutrals can sometimes become too uniform when every piece is new, smooth, and perfectly coordinated. For Tasha Frie, the head interior designer at Sims, antiques are one of the simplest ways to prevent that.
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This chandelier is so romantic, with its delicate beaded birdcage frame, crystal drops, and tiny gilded flowers. I love how the three candelabra lights give it a soft, old-world glow that would make your living room special.
This shimmery light blue pillow would be a beautiful addition to a neutral sofa like Sofia’s, adding a hint of color and sheen. It would look equally lovely layered over crisp white bedding for an even softer feel.
This hand-carved chair is a statement in its own right, with ducks and lions worked into the wooden frame. Layers of gesso and red clay give the surface depth, while gold leaf brings a sense of history that's straight out of this living room.
I love the simple shape of these table lamps, with their curved metal bases and linen shades. Sold as a pair, they would look just as good on either side of a sofa as they would on a console or side table.
I love a simple tray for pulling smaller pieces together, but this one has enough character to stand on its own. The gray veining is bold without being too busy, making it a lovely choice for a coffee table or open shelf.
Cut from solid alabaster, this candle holder has the presence of architectural stonework. Its cylindrical form lets the veining take center stage, while the pale stone catches the candlelight and gives it an almost translucent quality.
'I like decorating with antiques in neutral rooms because they stop the space from feeling too new,' Tasha explains.
'A neutral room can be beautiful, but if every piece has the same smooth finish and the same age, it can start to feel flat. An antique brings in wood grain, worn edges, older metal, or a shape you do not see in newer furniture.'
This means introducing antiques strategically and choosing one or two pieces that interrupt the uniformity. In Sofía’s living room, the effect comes through in the carved detailing of her accent chairs and the aged-looking finishes that sit alongside the more contemporary couches.
'The key is not filling the whole room with antiques. One strong piece is usually enough,' Tasha says. 'In a neutral living room, that might be an old pine side table next to a clean linen sofa, a vintage cabinet against a plain wall, or a framed mirror with some age to it. Those pieces add warmth without making the room feel heavy.'
The right balance comes down to scale, particularly when working with antiques. In Sofía’s room, ornate pieces sit alongside large upholstery and open space, giving each element enough room to register without making the scheme feel crowded.
'I also think antiques give neutral spaces a little imperfection, which is important,' Tasha says. 'If everything is beige, white, and perfectly matched, the room can feel untouched. A piece with a few marks or a finish that has aged naturally makes the space feel more comfortable.'
That is perhaps what gives Sofía’s living room its character. The architecture and proportions are undeniably grand, but the furniture doesn't feel as though it was chosen from a single collection. The contrast between tailored upholstery and pieces with visible age makes the room feel truly collected.
'My advice is to watch scale and function first,' Tasha adds. 'Do not buy an antique just because it is charming. Make sure the drawers work, the chair is sturdy, and the piece actually fits where you want to use it. The best antiques are the ones that can still be used, not just looked at.'
Sofía’s space shows you don't need a daring color scheme to create a room with depth. In the most successful cases, the most effective contrast comes from pairing old with new.
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