Inside a Quietly Classy London Townhouse, Transformed With Warm Colors and Calming Curves

This Georgian townhouse in London has been given a characterful and elegant new look – and it’s all down to the wealth of colors and materials used

A warm, earth-toned living room featuring terracotta walls, a dusty rose sectional sofa, and a large tiered glass chandelier. Two organic-shaped wooden coffee tables sit on a plush beige rug before a marble fireplace.
(Image credit: Astrid Templier)

Today, this elegant townhouse in Islington, north London, exudes a certain serenity that’s perfectly designed for slow mornings and barefoot living. The soft, sculptural palette was inspired by Scandinavian curves, warm colors, and the quiet confidence of the property’s long-term owner – an original Londoner.

It wasn’t always thus. Rewind a few years and the kitchen was a blend of high-gloss cabinets sitting clinically alongside stainless-steel surfaces while other rooms, painted in variations of gray and white, lacked warmth and personality. Inspired by what she spotted online, the owner contacted Lishan Tham, founder of Studio Shan, and asked for help.

A bright, airy living room with a large olive green sectional, arched windows with white shutters, and a patterned teal and gold rug. A large paper lantern hangs from a decorative ceiling rose.

Living room: The shutters in this space were often closed to provide privacy from the street outside, but café curtains now let light in. Soren globe pendant light, Pinch. Bespoke coffee tables, Studio Shan.

(Image credit: Astrid Templier)

To start the ball rolling with all clients, Lishan sends a questionnaire about favorite places, memories, and items for them to fill in (one made a Spotify playlist to conjure their home’s ambiance – she listened to it on repeat while coming up with suitable schemes).

Lishan, who grew up in Malaysia and came to the US when she was 16, brings an emotional intuition to her clients and their projects that often comes from first looking in from the outside. She founded her studio in 2021 after working briefly with Rose Uniacke and then with Studio Ashby and has a near-poetic quality to her approach.

Objects are described as having time in them – they are expressions of craft that bear the marks of gentle wear and have a quiet beauty. ‘I believe design should be felt as well as seen,’ she says. ‘Spaces hold memory, shape our mood, and offer stillness.’

A contemporary kitchen showcasing sage green cabinetry with integrated wooden handles and a striking green marble backsplash and island. A fluted terracotta pendant light hangs above the workspace.

Kitchen: Functionality was key here, where top-quality appliances are hidden behind custom millwork uninterrupted by handles. Bespoke kitchen with countertop, island, and backsplash in Cristalos Maestro Quartzite, Studio Shan. Amelie Sgabello bar stool in green leather, Scanditure.

(Image credit: Astrid Templier)

The house stands within a handsome row built in the late 18th century. While not listed, much of the original detailing remains, such as working shutters and intricate molding along the cornices and architraves.

This wasn’t going to be an exercise in taking the house back to its origins – hence the appointment of Studio Shan. ‘I always try to create “modern” designs in a way that is still homely and inviting. My client has a pared-back aesthetic that is quietly classy. I wanted to celebrate the history of the house while infusing it with a style that resonates strongly with her.’

A warm, earth-toned living room featuring terracotta walls, a dusty rose sectional sofa, and a large tiered glass chandelier. Two organic-shaped wooden coffee tables sit on a plush beige rug before a marble fireplace.

Living area in the main bedroom: Inspired by a hotel suite, this glamorous space is a private retreat. Bespoke coffee tables, Studio Shan. Circo floor lamp, lights&lamps. Artwork (right) by Adriana Jaros, M.A.H Gallery.

(Image credit: Astrid Templier)

Perhaps unusually in today’s society, much of the time spent together as a family is around the dining table rather than on sofas, hence the vast bespoke design made of solid pippy elm.

The sculptural Cab saddle leather dining chairs are new but will age beautifully over time and hopefully become family heirlooms. ‘My client loves leather and wears lots of black; they seemed like a perfect fit.’

Upstairs, the main bedroom has been divided into two: a sociable seating area with a sofa and daybed, which is separated from the private sleeping zone by a floor-to-ceiling screen, a quiet nod to Lishan’s Asian heritage. ‘I like semi-segregated spaces. If someone comes into her room and my client is dressing, she’ll be hidden behind the screen.’

A close-up of a bedroom with a deep moss-green velvet headboard against warm brown walls. A burled wood nightstand with a marble top holds a pleated cream lamp and a small vase with a white flower.

Bedroom: The colors upstairs were dialed up for extra warmth. Faustine table lamp, Pinch. Bespoke bedside table with Cipollino marble top, Studio Shan. Artwork (right) by Adam Hedley; artwork (left) by Anna Ilsley, both sourced from M.A.H Gallery.

(Image credit: Astrid Templier)

While her client had said at the beginning of the process that her preferred hues were gray and blue, neither feature in the end result, explains Lishan, with a hint of pride in her voice. Instead, rich and warm colors are paired with layers of carefully chosen materials and finishes – from pippy oak veneers on the dining room cabinetry to a bouclé-covered ottoman in the main bedroom.

A modern bathroom vanity featuring a rich, reddish-brown burl wood cabinet with brass handles and marble countertops. A square, copper-framed mirror hangs above a marble backsplash with integrated brass faucets. Two vertical globe sconces flank the mirror against neutral beige walls, creating a warm, sophisticated atmosphere.

Bathroom: Marble and bronze are classic choices. Bespoke vanity unit in walnut, Studio Shan. Lena Globe wall lights, Heathfield & Co.

(Image credit: Astrid Templier)

The kitchen is a sophisticated color-blocked interplay between gently veined ocean-green quartzite and a cozy mid-brown used for the oak joinery and taken up and over the ceiling. ‘

I knew that I wanted to bring color into the house and Lishan very much managed to do that,’ explains the owner. ‘She took the time to understand what I wanted to do and the results speak for themselves. It feels warm and cozy but is still elegant.’

Arabella Youens
Contributing Editor

Arabella is a freelance journalist writing for national newspapers, magazines and websites including Homes & Gardens, Country Life, The Telegraph and The Times. For many years she has specialized in writing about property and interiors, but she began her career in the early 2000s working on the newly launched Country Life website, covering anything from competitions to find the nation’s prettiest vicarage to the plight of rural post offices.