Jenni Kayne's serene LA home celebrates a neutral palette of natural materials

This Cali contemporary home, created by designer Jenni Kayne and architect Vincent Van Duysen, is the very epitome of pale and interesting

kitchen with oak cabinetry and island, wood and rope bar stools, plaster walls and pendant
(Image credit: Stephen Kent Johnson/ Otto)

Few houses connect with their surroundings as perfectly as the Los Angeles home of lifestyle and fashion guru Jenni Kayne, which is undoubtedly one of the world's best homes

Tucked away in a canyon to the west of the city, the building is the work of Belgian architect Vincent Van Duysen, whose modernist-inspired design appears to bring its wooded setting right into the house itself. ‘There is no real barrier between exterior and interior; the architecture merges with the outdoors,’ he affirms.

Jenni, whose eponymous brand offers fashion and interiors staples, approached Vincent in 2015. ‘There was an immediate connection,’ she says. ‘He’s incredible to work with as he really cares about who you are as a family and how you want to function in the space.’ 

Taking into account the lifestyles of Jenni, her husband Richard Ehrlich – owner of a property agency – and their children, Tanner, Ripley and Trooper, Vincent designed the house as a series of interlinking volumes set around a courtyard. ‘The open plan creates an informal atmosphere, where the flow of spaces turns rooms into a continuous experience,’ he says. 

Living room

white brick walls, built in seating, white sofa, white sheepkin chairs and wooden coffee table

(Image credit: Stephen Kent Johnson/ Otto)

Inside, the volumes are punctuated with full-height glazing framing sylvan views, most notably in the living room where living room ideas include a wall of sliding glass opening up to a hillside dotted with oaks and sycamores. ‘We wanted to get as close to nature as possible,’ says Jenni.


woman and dog by plaster spiral staircase

(Image credit: Stephen Kent Johnson/ Otto)

To tie in with the surroundings, materials are limited to pale oak, French limestone and textural plaster. One of the hallway ideas was to use textural plaster for a spiral staircase that leads to an office, the house’s only first-floor space. ‘The only reason we put the office up there is because I insisted on having a staircase – Vincent makes the most beautiful ones,’ says Jenni.

Family room

family room with white brick walls, limestone flags, built in wooden seating with white cushions, coffee table and vintage lounge chair

(Image credit: Stephen Kent Johnson/ Otto)

Built-in seating maximizes the space and ensures an uncluttered feel. The restful palette is enlivened with textures including oak, limewashed brick and French limestone flags.

The architecture has been complemented with art and vintage Scandi pieces sourced by Jenni as well as soft furnishings made by her friend Molly Isaksen.


kitchen with oak cabinetry and island, wood and rope bar stools, plaster walls and pendant

(Image credit: Stephen Kent Johnson/ Otto)

Kitchen ideas include using beautifully crafted oak cabinetry that has been tailored to the needs of a family that loves to entertain. The room’s textural plaster finish chimes with the pendant lights and lends subtle movement to the scheme.

Pale as the interiors are, Jenni insists that ‘nothing is too precious; I believe everything is a living surface so I don’t get upset if there’s a ring mark on a countertop.’


white bedroom with white 1940s sheepskin chair, white bed, wooden screen, white rug and lamp and bedside drawers

(Image credit: Stephen Kent Johnson/ Otto)

‘I wanted everything to feel grounded and timeless,’ notes Jenni of the simple furnishings, which include a 1940s sheepskin chair. 

Among the bedroom ideas are an oak screen, designed by Vincent, to bring a sense of intimacy to the space.


bedroom with oak slats in the ceiling, wooden floor, plaster walls and vintage wooden chest of drawers

(Image credit: Stephen Kent Johnson/ Otto)

The ceiling’s oak slats ensure an interesting interplay of light and shade. The doors leading to the couple’s two bathrooms have been designed to disappear into the wall.


neutral bathroom with white roll top tub, white drawers, marble floor, fireplace, black pendant and black metal framed windows

(Image credit: Stephen Kent Johnson/ Otto)

One of the bathroom ideas involved using dark bronze frames on the glazing to tie in with the finish of the fireplace. A vintage Swedish pendant light helps accentuate the high ceiling


exterior of white brick modern house

(Image credit: Stephen Kent Johnson/ Otto)

The house is a series of limewashed brick ‘volumes’ set around a courtyard. The building’s limewashed brick façade, a typically Belgian feature, particularly resonated with Jenni: ‘It reminded me of the LA homes built by Cliff May, a quintessential California ranch architect,’ she says, adding, ‘I wanted something that felt architectural and bold but at the same time very organic and soft.’

The house also plays host to a pair of large dogs. Indeed, the family have accumulated a menagerie that includes three miniature ponies and a miniature donkey, as well as two goats and 10 chickens.

‘We’ve been here a year and it really was divine timing – we’ve been able to look to nature and spend as much time as possible outdoors,’ says Jenni. ‘It’s pretty magical bearing in mind that we are just five minutes outside the city.’

Interior design/ Jenni Kayne 

Architecture/ Vincent Van Duysen

Photographs/ Stephen Kent Johnson

Text/ Rachel Leedham

Vivienne Ayers
Houses Editor

Interiors have always been Vivienne's passion – from bold and bright to Scandi white. After studying at Leeds University, she worked at the Financial Times, before moving to Radio Times. She did an interior design course and then worked for Homes & Gardens, Country Living and House Beautiful. Vivienne’s always enjoyed reader homes and loves to spot a house she knows is perfect for a magazine (she has even knocked on the doors of houses with curb appeal!), so she became a houses editor, commissioning reader homes, writing features and styling and art directing photo shoots. She worked on Country Homes & Interiors for 15 years, before returning to Homes & Gardens as houses editor four years ago.