Unable to Save Their Original Carmel Cottage, These Owners Recreated Its Storybook Charm in a Beautiful New Home

The rich material palette of this magical new-build in Carmel-by-the-Sea marries English country tradition with nods to the Californian landscape

Exterior of a storybook stone cottage featuring a conical turret roof, red front door, stone patio seating, and a lush gravel garden with terracotta planters.
(Image credit: Read McKendree)

With its irregular rooflines, distinctive architecture and unmistakable individuality, Carmel-by-the-Sea, on California’s Monterey Peninsula, has been a magnet for creatives since the early 20th century. The one-square-mile town has its own rhythm and rules (a permit is required to wear high heels, for example, thanks to its difficult-to-navigate cobblestone streets) and, unsurprisingly, its approach to town planning is inventive and playful.

Vaulted timber-framed living and dining room featuring large checkered ring chandeliers with grey tassels, patterned armchairs, a beige sofa, and a round wood coffee table.

Living room: Designer Michael Booth took his cue from the building’s structure when decorating this space. ‘The floors are reclaimed wood and all of the materials are allowed to have weight and age.’ Chandeliers, Lutyens Furniture & Lighting. Coffee table, Rose Uniacke. Bronze table lamp, Elizabeth Garouste at Ralph Pucci. Sofa, Rose Tarlow. Rug, Vaheed Taheri. Pair of armchairs, Gregorius Pineo.

(Image credit: Read McKendree)

‘This isn’t a place where every house needs to look the same,’ says Michael Booth of design studio Bamo, who worked on the interiors of this home for his longtime clients, a couple with grown children. ‘Carmel has a wonderful collection of cottages, many of them quite storybook in character. You’ll see Tudor references, stone houses and plenty of quirky design details.’

It was within this artistic context that this home – essentially a new build – was conceived. Originally, the property featured a small Tudor-style house and a garden guest cottage, which the owners fell in love with because of its proximity to the ocean and the convenience of being able to walk into town.

Warm timber-framed kitchen with an oak island, three botanical-patterned counter stools, industrial glass pendant lights, and a botanical Roman shade over the sink.

Kitchen: Exposed beams and decorative tiles take the lead in this space, with patterned fabrics to soften the overall feel. Bar stools, Lutyens Furniture & Lighting; upholstered in Alizon, Braquenié at Pierre Frey. Large Station pendant lights, Ann-Morris. Roman shades in Acanthus, Designers Guild. Faucets, Waterworks.

(Image credit: Read McKendree)

‘We spent about a month trying to save it,’ says Michael. ‘I remember walking through it and constantly ducking because the ceilings were only about seven feet high. Eventually, we had to admit that we were trying too hard to make something work that simply didn’t. What was useful about that process, however, was that by the end of it, we understood exactly what was charming about the old cottage and what we wanted to carry forward.’

Wood-paneled breakfast nook with a round dark pedestal table, four sculpted grey chairs, botanical Roman shades over leaded windows, and a vase of white tulips.

Breakfast nook: The owners chose to position a convivial round table in the kitchen’s bay window with lovely views of the outdoor space. Dining table, Blackcreek Mercantile & Trading Co. Dining chairs, Moussa Seydi Art & Design. Roman shades in Acanthus, Designers Guild. Sconce, Ann-Morris. Shade, Blanche Field.

(Image credit: Read McKendree)

The result, designed by architect John Malick, is a storybook home that blends English country traditions – inspired by the couple’s fondness for the Cotswolds – with the character of California’s Central Coast. Grounded in a rich material palette that includes reclaimed oak beams, English stone roofing, straw-infused plaster walls and handcrafted windows and doors, the house quickly developed a sense of permanence and history. But this is no imitation of an old home – rather, it brings together a series of references to create something entirely new.

Dining room with exposed timber beams, a long dark wood table, upholstered chairs, an ornate antique wooden armoire, and a checkered ring chandelier with tassels.

Dining room: ‘In the house’s relatively compact footprint, I didn’t want to dedicate an entire room to something that might be used a few times a year,’ says Michael. ‘This dining setup on one side of the living room allows for flexibility.’ Dining table, Studio 1718. Glenna chairs; table lamp (far right), both Rose Tarlow. Antique cabinet, 1stDibs.

(Image credit: Read McKendree)

‘The Cotswolds gave us a vocabulary, but Carmel determined how we used it,’ says Michael. ‘We avoided literal references in favor of something more atmospheric and interpretive.’

Inside, the interiors achieve a layered feel through antiques, custom furnishings and artisanal textiles. A custom de Gournay wallcovering in the living room takes inspiration from the redwood groves of nearby Big Sur, while a 17th-century Dutch cabinet that serves as a bar offers an unexpected moment of discovery. In addition, enveloping chinoiserie wallpaper in the primary bathroom and an abundance of handcrafted wood finishes create an inviting sense of relaxed, lived-in comfort.

Every room offers details for the eye to discover, from stained-glass windows and framed wallpaper-covered portholes to exposed beams and views of the surrounding garden, where a pathway lined with Monterey cypress trees leads to a welcoming guesthouse.

Bedroom with a beamed wood ceiling, textured taupe plaster walls, a wooden four-poster bed, a carved bench with bolster pillows, floral curtains, and a sculpted frosted glass chandelier.

Bedroom: ‘I always turn to good hotel bedroom design for inspiration,’ says Michael. ‘You arrive and understand instinctively how to be comfortable.’ Custom bed, Rose Tarlow. Headboard in Mitchell Denburg fabric; upholstered by Hardesty Dwyer & Co. Custom pendant, R & Company. 1930s lamp, Moser via Epoca. Curtain fabric, Vaughan.

(Image credit: Read McKendree)

Above all, comfort was key. ‘The owners entertain frequently; their children visit, and friends come to stay, especially at Christmas,’ says Michael. ‘It’s a relatively small house, so every space had to earn its keep. The living room was essential. It needed to be generous enough to accommodate the life of the house while everything around it remained quite intimate. Once we got that relationship right, the floor plan made sense.’

For that reason, the couple opted against a separate dining room, instead incorporating a dining area into the main living room to allow for greater flexibility. The kitchen was approached in much the same way.

Bedroom with textured ochre plaster walls, a dark wood bed with patterned pillows, a brass floral wall sconce, and a bobbin-legged wooden side table.

Guest house bedroom: Antique dark wood furniture stands out against textured ochre walls, lending patina and depth to this scheme. Bed, Sawkille Co. Bed coverlet, Kohro. Table, 1stDibs. Sconce, sourced by BAMO from an antiques market. Antique side chair, Guinevere. Rug, Mark Nelson Designs.

(Image credit: Read McKendree)

‘We didn’t cover the walls with upper cabinets,’ says Michael. ‘Storage, the range hood and even the entrance to the mudroom are concealed, so it reads as a room rather than a purely utilitarian space.’

What the owners treasure most, however, is the way the town allows them to escape the usual American Christmas routine. ‘So much of the holiday season can get lost in consumerism – getting in the car, driving to a shopping mall, sitting in traffic, circling for a parking space,’ reflects Michael. ‘In Carmel, you simply walk into town. You wander into the little shops, admire the lights and chat with people you know. Much like this home, it really is one of a kind.’

Bathroom with hand-painted floral tree wallpaper, a curved glass shower door opening to a tiled shower with a wooden stool, and an oak vanity with a green marble top.

Bathroom: Branch-laden wallpaper and gently curved silhouettes form an elegant backdrop in this decor-led space. Wallpaper, de Gournay. Countertop stone, Da Vinci Marble. Faucet, Samuel Heath. Sconce, Ann-Morris. Shade, Blanche Field. Stool, Sawkille Co. Roman shade in Gelato, Nobilis. Stone flooring, Country Floors.

(Image credit: Read McKendree)

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Emma J Page
Contributor

Emma writes across interiors, design, lifestyle, and travel for a number of titles, from The Times Magazine to Living Etc. A born and bred Londoner, she has written two books that celebrate her passion for architecture and design in the capital, including London Shopfronts and London Interiors.