Dakota Johnson’s Living Room is a Lesson in Vintage Film Color Schemes – It’s Nostalgic, yet Strikingly Modern

In her former Hollywood Hills living room, Dakota relies on 'The Kodak Portra Palette' to give mid-century architecture an atmospheric depth

Dakota Johnson
(Image credit: Swan Gallet/WWD via Getty Images)

At first glance, Dakota Johnson’s former living room should feel anything but cozy.

Almost every element of the 1947 Hollywood Hills house is designed (by the acclaimed Pierce & Ward) to let the outdoors inside – from its floor-to-ceiling glass walls to its exposed beams and expanses of timber. However, the room feels settled. Much of that comes down to the decorating. Warm wood, camel-colored velvet and vintage textiles sit together in a palette that lets the architecture take center stage.

Designed by architect Carl Maston, the house is a particularly beautiful example of mid-century California modernism. Its clean lines could easily have been emphasized with white walls and contrasting furniture, but Dakota took a warmer approach.

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In this mid-century modern celebrity living room, the furnishings stay close in tone, with honey-colored wood, camel upholstery, and an aged-looking rug creating a natural flow from one piece to the next.

The effect is reminiscent of the Kodak Portra palette, a term used to describe the warm, muted colors associated with the popular analog film stock. In this room, those tones give the interiors an almost photographic quality. Sunlight catches on the wood and velvet, bringing out subtle shifts in color without making the space feel overly decorated.

To follow her example, look to low-slung, matte seating like the Wanetta Sofa in Ochre velvet (from Wayfair). Its light-absorbing pile diffuses light, filling the room with that same golden-hour glow.

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‘I adore how Dakota's room doesn't try to soften the architecture by hiding it,’ explains Hebe Hatton, the Head of Interiors at Homes & Gardens.

‘The mid-century modern decorating works with what is already there. The wood, camel upholstery and muted rug all have a similar depth and warmth, so your eye moves naturally around the room rather than being drawn to one high-contrast piece.’

That sense of continuity also comes from her furniture choices. Dakota’s low-slung living room sofa sits beneath the windows, preserving the views and allowing the garden to become part of the room. It's not necessary to overwhelm every corner when the landscape beyond the glass provides so much of the interest.

The greenery outside also brings a beautiful change to the predominantly warm interior. Against the honeyed wood and earthy upholstery, the garden's cooler greens feel fresh without disrupting the room’s sense of ease. To Hebe, it's a useful reminder that warmth does not always come from adding more.

‘There’s a tendency to think a cozy living room needs lots of layers, darker colors or plenty of decorative objects,’ she says.

‘This space proves that you can achieve the same feeling through color and material alone. Keeping everything within a considered palette gives the room a sense of ease, while the natural light and garden stop it from ever feeling flat.’

It's a surprisingly simple approach for such a striking house. By allowing similar tones to sit alongside one another, Dakota made a highly architectural space feel personal and comfortable while preserving the qualities that made the house special in the first place.


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Megan Slack
Head of Celebrity Style News

Megan is the Head of Celebrity Style News at Homes & Gardens, where she leads the celebrity/ news team. She has a history in interior design, travel, and news journalism, having lived and worked in New York, Paris, and, currently, London. Megan has bylines in Livingetc, The Telegraph, and IRK Magazine, and has interviewed the likes of Drew Barrymore, Ayesha Curry, Michelle Keegan, and Tan France, among others. She lives in a London apartment with her antique typewriter and an eclectic espresso cup collection, and dreams of a Kelly Wearstler-designed home.