Jennifer Aniston Shows How To Turn Your Home Bar Into a Destination, Not An Afterthought – It's A Masterclass in Designing for Entertaining

Clever organization, elegant lighting, and dark wood turn the actress's home bar into a gorgeous celebration of entertaining, perfect for the summer season

jennifer aniston on a cream background
(Image credit: Axelle/Bauer-Griffin via Getty Images)

With the right design, organizational solutions, and stock, a home bar becomes more than a countertop upon which to park your liquor. It becomes a central hub around which guests and family members can gather and make memories. This type of experiential design is exactly the philosophy homeowners are adopting in 2026. Jennifer Aniston provides a masterclass in how to achieve it.

The actress's home bar is a destination in itself. Stephen Shadley, the mastermind designer behind Jennifer's Bel Air estate, explains that the custom walnut bar was 'literally carved into a wall' – making it integral to the architecture of her home. For a twist on classic lighting, he designed the pendant with found industrial glass, as a chic contrast with the wood. Most notably, nothing is out on the countertops, with all tools except spirits tucked cleanly away behind the bar.

As we get deeper into summer, we're dreaming about long nights around a similar setup in our own homes. To help you get there, Homes & Gardens spoke with Alicia Stark, Bartending and Drinks Expert at No.3 Gin, to explore what makes a home bar alluring in any space. She explains how to use design to facilitate a fun and sophisticated vibe, and dives into all her favorite tools of the trade. We'll begin with a glimpse into Jennifer Aniston's home to set the scene.

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As much as perfecting your home bar is about materials and fixtures, it's also about building with functionality in mind. 'The bar should be a destination, not a service hatch,' explains Alicia. 'The ritual of preparation is part of the hospitality; don't hide it in the kitchen.'

She continues: 'Have a signature drink you make well and make confidently - guests don't want a menu; they want to feel looked after. And keep something non-alcoholic that's genuinely delicious - a well-made shrub, a quality tonic, a good sparkling water - so no one feels like an afterthought. The best bars, whether professional or personal, make every guest feel like the drink was made with them in mind.'

We see this ethos in Jennifer Aniston's space, where the countertops are stocked such that it's easy to entertain at any moment. According to Alicia, the visibility of spirits is part of what makes a home bar feel approachable and easy to use.

'Think like a bartender but live like a host,' advises Alicia. 'The golden rule is visibility creates intent - if you can see it, you'll use it. Group your spirits by category and then by height, tallest at the back, so nothing hides. Your bar is a conversation piece before a single drink is poured, so treat it as one!'

Luckily, a setup like Jennifer's, where the bottles are upright on display, has an added benefit of helping to preserve spirits for the long term. Alicia tells Homes & Gardens: 'The good news is that design and preservation are mostly on the same side here. Store bottles upright - unlike wine, spirits don't benefit from cork contact with liquid (and it can actually degrade the cork over time). Keep them away from direct sunlight and heat sources; a beautifully lit bar is fine, a bar shelf baking under a south-facing window is not. For bottles you open frequently, you don't need to worry too much, but for something precious, pour it into a smaller bottle once it's half-empty to reduce oxidation. And if a bottle is truly too beautiful to drink? That's a separate problem, and I can't help you there.'

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Whether you have a small home bar or a larger set up, you will need the essentials to keep it running. Alicia recommends three essentials for getting started.

She recommends: 'First, a quality gin. It is one of the most versatile spirits behind a home bar: it makes a flawless Martini, holds its own in a Negroni, lifts a simple tonic into something considered, and rewards anyone curious enough to drink it neat. Second, a proper jigger - the dual-sided kind, with clear measurements. Eyeballing works until it doesn't, and precision is the difference between a great drink and an apology. Third, and people underestimate this - a good peeler. A fresh citrus twist done well will elevate almost anything you put in a glass.'

Building up a glassware collection for a home bar is another area where people get tripped up. They worry that they need to have all of the essentials all at once - but as Jennifer's design shows, often, simple is best.

Alicia suggests that readers: 'Start with three and build from there. First, a Martini glass. There is something about the architecture of a well-made Martini in a proper Martini glass that no other vessel quite replicates; it signals occasion without requiring one, which is rather the point: luxury shouldn't be rationed to special events. A Tuesday evening with a cold, perfectly proportioned Martini in the right glass is as valid a moment as any dinner party.'

'Second, a rocks glass for anything stirred and spirit-forward, think Negroni, Old Fashioned,' she continues. 'Finally, a highball for long drinks. Three excellent glasses will serve you better than twelve mediocre ones. And wash by hand, always.'

Whether you're starting with a custom built-in like Jennifer Aniston, or a simple bar cart, hospitality and the right tools can elevate any home bar into a design-led experience.


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Sophie Edwards
News Editor

Sophie is a writer and News Editor on the Celebrity Style team at Homes & Gardens. She is fascinated by the intersection of design and popular culture and is particularly passionate about researching trends and interior history. She is an avid pop culture fan and has interviewed Martha Stewart and Hillary Duff.

In her free time, Sophie freelances on design news for Westport Magazine and Livingetc. She also has a newsletter, My Friend's Art, in which she covers music, culture, and fine art through a personal lens. Her fiction has appeared in Love & Squalor and The Isis Magazine.

Before joining Future, Sophie worked in editorial at Fig Linens and Home, a boutique luxury linens brand. She has an MSc from Oxford University and a BA in Creative Writing and Sociology from Sarah Lawrence College.