House Design

A beautiful Victorian house design, inspired by the owner's antique collection

A move to a smaller home in London required expert advice to showcase the owner's antique collection in a new light

cream kitchen with dark grey blue island
(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

Prior to becoming an interior decorator at Sibyl Colefax & John Fowler, Daniel Slowik managed the company’s antiques division, and it was in this capacity that he first met the owner of this Victorian terraced townhouse in south London. 

‘The owner of this house is a passionate collector and she would come into the Brook Street shop all the time,’ Daniel recalls. He continues, ‘Twenty years on, she got in touch with me via Instagram to say that she and her partner were downsizing to a house around the corner from their previous home, and she wondered if I could help.’

As owner and designer strolled from the larger house to the smaller one, a plan began to emerge as to how a lifetime’s collection could be curated and shown in a new light in this more petite property. 

‘From the outset we knew that this wasn’t going to be a case of acquiring new pieces; rather, it would be about re-covering, re-polishing or repainting her most treasured finds,’ Daniel explains. 

'We are entering an age of repurposing, which is something my company was doing when they were decorating country houses back in the 1950s. Our emphasis now, as it was back then, is on couture decorating – if you re-finish a piece beautifully, it will come back to life and last for many years to come.’

Living room

classic and eclectic living room


(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

Designed to chime with the period of the house, the new joinery in the living room has been tailored to fit the owner's collection of books. 

classic and eclectic living room

(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

Detailing adds crisp definition to pieces, and includes contrast green piping on the pink sofa (which was originally covered in a chintz) and orange trim on the top, bottom and leading edge of the curtains. 'Curtain making and upholstery are not cheap but the fabrics don’t have to be wildly expensive. It’s all about the details,’ he posits.

The blue wall color was one of the first hues selected for the house. ‘It is incredibly versatile and works beautifully with greens, pinks and biscuit-y colors,’ observes Daniel.  

Kitchen

cream kitchen with dark grey blue island

(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

Daniel’s approach to upcycling also applied to the fittings within this house. 

‘I’ve increasingly been trumpeting about sustainability and not throwing things away when they are perfectly good,’ he says, citing as an example the property’s existing kitchen cabinetry: ‘It had rather unattractive panelled units but we filled elements of the panels, and repainted everything; we then added beautiful reeded knobs, which put our stamp on the room.’ 

The wall of units was built to complement the existing kitchen cabinetry, and the client’s informal dining furniture was repainted and treated to new seat pads. A fine marble-topped table adds a touch of grandeur.

Main bedroom

Neutral bedroom with a statement four poster bed

(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

The floral drapes of the four poster bed were in perfectly good condition, so Daniel reused them as well as the matching curtains, which he had simplified to suit the more modest proportions of the space. 

An English quilt dating to the 19th century adds another layer of richness to the scheme. 

classic bedroom with antique furniture

(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

An 18th century French provincial chair in the main bedroom was reupholstered to suit the scheme. 

On the bracket sits a 20th century faience vase featuring a manganese glaze. 

Dressing room

floral dressing room in neutral palette

(Image credit: Sibyl Colefax & John Fowler/Boz Gavoski)

Inspired by a piece of wallpaper given to Nancy Lancaster by the King of Sweden, this painterly design has been used for the window treatment, walls and curtains which were favoured in lieu of cupboard doors. 

For Daniel, the great joy of this project was that his personal tastes and those of the client converged. 

'She loves florals and a palette of pinks, blues and greens – and so do I,’ he comments, adding that although the palette shifts from room to room, there is a sense of a connection between the spaces. ‘I always consider the view from one room into the next; it is important that it mustn’t jar.’

Daniel summarises this project as ‘a miniature country house in London’, and he believes that it exemplifies – albeit in a small-scale way – what he and his colleagues at Sibyl Colefax and John Fowler do best: ‘It’s about mastering color and pattern and focussing on every detail,’ he explains, adding, ‘Our company was born out of these principles.’

Interior designer/ Sibyl Colefax and John Fowler

Photography/ Boz Gagovski

Text/ Rachel Leedham