They Fell for Its 'Old Soul' – Now This New Jersey Home Is a Masterclass in Understated, Modern Elegance

The sophisticated yet understated interiors of this American home are ageless – and the classic aesthetic is interwoven with wonderful flourishes that bring unique character to every space

a light and bright kitchen dining area with a striped large banquette, ceiling beams and blue tiled floor
(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

The house had an old soul, which I loved,’ says Joan Enger, founder of J. Patryce & Co, of her clients’ rambling property in New Jersey, built in 2004 in a classic colonial style. ‘It had a great layout and some very pretty architectural details,’ Joan adds, and this foundation allowed her to reimagine it into an effortlessly chic family home.

a large New Jersey colonial home with stone chimney and walls leading into a pool area with rows of hydrangeas

Exterior: The owners brought in a landscape company to work on the gardens. ‘This was done first so that they could enjoy the outdoors,’ says the interior designer Joan Enger

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

The clients, originally from Australia, had worked in a variety of countries. ‘I remember them telling us that in each of the locations they resided, they had very different homes, from historic properties to modern luxury apartments, so they weren’t really married to one particular style,’ explains Joan.

‘The interior of this house design was originally very frilly and the finishes and palettes didn’t fit the clients’ aesthetic, but they felt a connection to the space and the light, so they knew that they could eventually update it.’

a white kitchen with a large navy island, ceiling beams and a large cooker hood with metal detailing

Kitchen: The dark blue island grounds the scheme and offsets the warm white cabinetry. Metal stripping was introduced on the extractor hood to define its shaping. Bespoke cabinetry in Crushed Ice, Sherwin-Williams. Splashback tiles, Waterworks. Pendants, The Urban Electric Co., Stools, Lawson-Fenning

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Cue Joan to work her magic. Originally envisaged as simply an update of the kitchen, boot room, powder rooms, office, and main suite, the project snowballed.

‘We literally touched every single part of the house,’ notes Joan.

a large traditional colonial staircase with dark painted curved banister, dark wooden floors, a round hall table and a striped runner

Entry: New blackened steel balusters modernized the staircase. Custom table, J. Patryce & Co. Stair runner, Stark

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Relatively simple updates breathed new life into the jaded interior. Dated, chunky staircase balusters gave way to custom-blackened steel uprights, with the handrails refinished and stained, resulting in an elegant statement staircase.

Fussy mantels were replaced with simpler designs that were more architecturally interesting and provided streamlined focal points in the rooms.

a soft neutral light hallway with arched walkways and a console table with a curved mirror hung above

Hallway: The soft curves of the archways and the shapely mirror are the perfect foil to the lines of the panelling. Vintage chair, Ma-Tine by Marie-Christine, Bench; console, J. Patryce & Co. Mirror, Julian Chichester

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

The original knotty orange pine floors were stripped and refinished into what Joan describes as ‘the most perfect shade of pale honey’.

‘It made all the difference since they run throughout the whole house, resulting in a very understated Belgian feel, which worked well with our aesthetic,’ she says.

a soft blue music room with patchwork rug, fireplace, curved couch and round coffee tables

Music Room: A banquette was built so that if there is a large number of guests, they can sit around the perimeter. Sofa, FAIR. Custom coffee tables, J. Patryce & Co. Rug, Eliko Rugs by David Ariel. Pendant; sconce, both The Urban Electric Co. Walls, laminated linen by Aesthetics Wallcoverings. Upholstered bench, custom millwork by NR Wood Design. Mirror, Mr. Brown London. Blinds in fabric, Holland & Sherry. Art (left) by David Drew Bruner. Painting (right), Laurin

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Reinvention is undoubtedly a key weapon in Joan’s arsenal. ‘We kept many of the original details in the home and made subtle improvements and enhancements. We introduced an abundant amount of custom joinery – that’s something we’re renowned for.

Connecting the spaces, as well as looking at the existing footprint and examining the elements in detail, was the first step, then deciding what should stay and not just ripping everything out.’

a light sitting room with wall molding, a navy couch, small green ottomans, and abstract artwork

Sitting Room: Paneling brings texture to the back wall and complements the beamed ceiling. The oversized abstract artwork is the perfect modern touch. Art by Caleb Mahoney. Rug, Armadillo. Sofa, Dmitriy & Co. Lamp, Danny Kaplan Studio; custom lampshade, Trans-LUXE. Custom coffee table, stools; daybed, all J. Patryce & Co

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

The studio is also known for its considered, timeless, and classic designs. ‘We want our spaces to feel layered, warm, and current, without feeling trendy,’ says Joan. ‘The bones of the house lent themselves to our style.’ The functionality of each space was a priority.

a small banquette dining area in a kitchenette with leather stools, paneled walls, and a light oak curved table

Guest Suite: The banquette area provides a space for working and dining. Custom banquette, NR Wood Design. Leather stools, J. Patryce & Co

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

The clients love to entertain, so although their desire was for a chic and beautiful home, they also wanted it to feel comfortable and family-friendly.

To that end, a guest suite area upstairs comprising a kitchenette, bedroom, bathroom, and family room was created for family and friends who are visiting from afar.

a neutral master bedroom with a black four posted bed with neutral bed linens and vintage style globe sconces

Main Bedroom: A four-poster delivers pared-back elegance. Abaca Breeze wallpaper, Phillip Jeffries. Bed, RH. Custom nightstands, chair, all J. Patryce & Co. Sconces, Remains Lighting Company. Artwork (above bed), by Ralph Stout; (right), Carrie Haddad Gallery. Curtains in Mendip, Fermoie. Blind in a fabric by Hartmann & Forbes

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Cornerstones of the palette are deft touches of the clients’ favorite color blue, while warm neutrals and rich earthy moments, such as mossy greens and golden ochres, that beautifully complement the blues were also leaned into. Meanwhile, in the basement, where there is no natural light, plums and navy blues prevail.

‘A house has many chapters, but it must read as one cohesive story,’ says Joan. ‘Everything has to connect, with some sense of continuity.’

a light and bright kitchen dining area with a striped large banquette, ceiling beams and blue tiled floor

Dining Area: Framing the bay window creates a striking focal point. Panama table, Robert James Collection. Chairs, Design Within Reach. Banquette, J. Patryce & Co; in fabric by Lee Jofa

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Natural fabrics were teased through the rooms to infuse abundant texture. ‘Mixing different fabrics is important so you’re not just using one singular texture throughout,’ notes Joan. ‘Wovens blended with linens and velvets – fabrics that feel textural and different, but all work together – is key. It’s very much about a curated mix of materials.’

Pattern was kept subtle and understated, apart from in the son’s bedroom, where exuberant geometrics flirt with dapper stripes, evoking a sense of playfulness.

a calm veranda with pillars and a porch area set up with striped sofas and potted plants

Veranda: This space brings a traditional feel, with seating allowing the owners to enjoy the garden while being shaded.

(Image credit: J. Patryce & Co / Photography Tim Lenz/OTTO)

Joan’s signature style melds custom joinery, vintage pieces, artwork, and bespoke furniture designed by the studio. ‘The clients allowed us a lot of creative freedom in this project and it’s important to introduce these different layers and elements as we believe they add soul to the home,’ she says.

This carefully considered home certainly has that.


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Vivienne Ayers
Houses Editor

Interiors have always been Vivienne's passion – from bold and bright to Scandi white. After studying at Leeds University, she worked at the Financial Times, before moving to Radio Times. She did an interior design course and then worked for Homes & Gardens, Country Living and House Beautiful. Vivienne’s always enjoyed reader homes and loves to spot a house she knows is perfect for a magazine (she has even knocked on the doors of houses with curb appeal!), so she became a houses editor, commissioning reader homes, writing features and styling and art directing photo shoots. She worked on Country Homes & Interiors for 15 years, before returning to Homes & Gardens as houses editor four years ago.