'She Wanted Personality, Not Perfection' – This 1903 Victorian Home in Pasadena Refuses to Be Predictable
From a custom stained-glass front door to a wallpapered kitchen ceiling, House of Honey filled this historic home with details designed to be discovered
There are plenty of ways to restore a Victorian home. You can carefully return it to its original glory, lean into its period details, and create a home that feels as though it has barely moved on from the day it was built. But that was never the intention here. When House of Honey was brought in to reimagine this Pasadena home, the brief was less about perfection and more about personality.
'Our client wasn't interested in perfection... she wanted personality,' designer Tamara Honey explains. She loved the history of the house but wasn't precious about it, instead wanting a home that felt 'layered, lived in, and deeply personal' – a place that reflected her curiosity rather than conforming to a particular design style.
The result is a Victorian home with an unusually modern point of view. Original architectural details remain intact, but they sit alongside sculptural contemporary furniture, rich botanical fabrics, dark painted woodwork and flashes of unexpected color. A stained-glass oak tree takes pride of place at the front door; dragonflies appear where you least expect them; and in the kitchen, a patterned ceiling encourages everyone to look up.
Family Room: A golden sofa brings warmth to the dark, book-lined family room, where contemporary pieces sit comfortably alongside the home's original details. Sectional, Lawson-Fenning in Kufri via Harbinger Fabric; Light, Regina Andrew; Coffee Table, Arteriors; Rug, Armadillo & Co.
Originally built in 1903, the house already had character, craftsmanship and a strong sense of its own identity. Rather than dramatically altering the footprint, the team worked largely within the existing plan, allowing the architecture to lead the way. 'The house had already figured out a lot of things about itself,' says Tamara. 'Older homes have a confidence about them... we wanted to honor that spirit without turning the house into a museum.' For Tamara, preserving the past was never about recreating it. 'We're not particularly interested in historical reenactments – we love preserving what gives a home its soul: the craftsmanship, the proportions, the architectural quirks – but then allowing it to keep evolving,' she adds.
These days, rich pattern and decorative details sit comfortably alongside contemporary furniture and lighting, while original architectural features provide a sense of continuity from room to room. 'Victorian architecture is wonderfully expressive, and instead of dialing that back, we leaned into it,' Tamara continues. 'Rich pattern and decorative moments felt at home here, balanced with contemporary pieces that keep the interiors feeling fresh rather than nostalgic.' The result is a house that feels rooted in its history without being defined by it. 'People assume the biggest transformations come from knocking down walls – but we'd rather spend our energy making rooms feel extraordinary than simply making them bigger,' she adds.
Entry: A custom stained-glass oak tree in the front door brings color and craftsmanship to the entryway, where the original Victorian staircase is finished with a patterned runner by House of Hackney. Console, Orior; Stools, McGee & Co.
The home's sense of place is almost as important as its history. Pasadena has a strong identity, but it is also a city where old and new sit comfortably alongside one another – a tension that House of Honey wanted to capture without resorting to obvious California clichés.
'Pasadena has this incredible duality – it's deeply rooted in architectural history, yet it never feels stuck in the past,' Tamara explains. 'Whether we're designing in Pasadena or working on projects abroad in London, our approach is always rooted in context,' she explains. 'We draw inspiration from the local architecture, landscape, and culture,' she adds. Here, that meant looking to the oak trees, gardens, and natural beauty beyond the windows, then finding subtle ways to bring those references inside.
'The California references became a wonderful way to introduce moments of whimsy throughout the house,' she continues. 'Rather than treating nature as a decorative motif, we tucked it into unexpected places, allowing those details to emerge almost as discoveries. They give the home a playful spirit without feeling overly themed,' she adds.
At the front door, a custom stained-glass panel pays homage to Pasadena's oak trees. Elsewhere, the references become more subtle, appearing like clues scattered throughout: Timorous Beasties moths on window treatments, insect-inspired artwork on the walls, and vintage brass dragonflies guide the entry into the kitchen. 'We're always looking for opportunities to surprise people,' says Tamara.
Living Room: Layered textiles, sculptural pieces and warm earthy tones bring a collected feel to the living room, framed by statement millwork and views of the family room beyond. Chair, Pierre Paulin from Tamara's personal collection; Coffee Table, Hommés Studio via 1stDibs; Rug, Lawrence of La Brea.
If three words capture the spirit of the finished home, Tamara has them: 'Collected. Romantic. Curious.' It is decorative and richly layered, certainly, but never so coordinated that the rooms feel as though they have been assembled from the same moodboard. Instead, each has been given space to develop its own identity, with shifts in color, pattern, art and furniture creating a different mood as you move through the house. 'We never want a home to feel like it's repeating itself from room to room,' says Tamara. 'Every space should have its own point of view – its own mood, its own rhythm, its own surprise.'
'A room becomes much more compelling when refinement flirts with eccentricity, when antique pieces live comfortably beside contemporary ones, or when a beautifully tailored room suddenly surprises you with something delightfully unexpected,' she continues. 'That's where personality begins.' Yet for all their individuality, the rooms are absolutely part of the same story. 'Throughout the home, you'll find recurring threads: handcrafted details, botanical references, rich natural materials, and moments of whimsy that quietly reappear,' Tamara explains. 'Like a good story, every chapter is different, but they all belong in the same book.'
Kitchen: Traditional cabinetry and warm timber create a calm, hardworking kitchen, finished with a patterned ceiling and sweet under-sink skirt. Wallpaper, Sanderson via L.A. Design Concepts; Sink Skirt Fabric, Classic Cloth; Pendants, Dumais Made; Stools, Herman Miller via DWR.
The kitchen offers something of a 'visual exhale'. The palette is quieter, with traditional cabinetry, warm timber, and natural stone creating a calm, hardworking backdrop, while the generous island becomes the social center of the room. Look up, though, and there is another surprise: Sanderson wallpaper covers the ceiling, introducing pattern in an unexpected yet pared-back way. As Tamara explains, 'It’s quieter, though not plain... details like the wallpapered ceiling reward anyone willing to look up.'
Dining Room: Rich botanical pattern envelops the dining room, where moss-green seating and sculptural lighting give the Victorian setting a playful, contemporary edge. Wallpaper & Window Treatment Fabric, Superflower Studio; Table, Roll & Hill; Chairs, Lawson-Fenning in JAB via Thomas Lavin Fabric; Light, Trueing.
'When you arrive in the dining room, the house decides to have a little fun,' Tamara continues. 'It's unapologetically joyful, wrapped in pattern and personality without ever tipping into excess.' Moody floral pattern covers the walls and curtains, while mossy green upholstered chairs surround a warm timber table, creating a room that feels intimate without becoming overly formal. 'I'd have to say the dining room,’ says Tamara, when asked which space best captures the spirit of the project. 'It embodies everything we love about this project – it's expressive, layered, and a little unexpected.'
Family Room: Deep green millwork and built-in bookshelves create a cocooning backdrop for warm golden upholstery and a handcrafted, oak-inspired fireplace. Armchair, Lawson-Fenning in House of Hackney Fabric; Fireplace Tile, Pasadena Craftsman Tile; Insect Wall Art, Cyan Design; Window Treatment Fabric, Timorous Beasties.
The deep green tone continues into the family room, where the scheme began with atmosphere, rather than one set hue. 'The palette grew out of natural materials, old wood, gardens, moss, stone, and light filtering through trees,' Tamara explains. 'Rich colors appear throughout the home, but they're grounded by texture and craftsmanship rather than used for shock value.' A golden ochre sofa and patterned armchair lift the green, while the handcrafted tiles and brass dragonflies introduce a layer of whimsy.
Home Office (Left) & Powder Room (Right): Soft neutrals and warm timber create a calm home office, while a botanical powder room brings the same earthy palette into a more playful setting. Office Desk, Last Ditch Design; Chair, Geiger; Rug, Marc Phillips; Light, Colin King x Troy Lighting. Powder Room Wallpaper, House of Hackney; Mirror, Made Goods.
The warm, earthy palette carries through to the home office and powder room, but each space interprets it differently. In the office, soft taupe walls, blush curtains, and warm timber create a calm, light-filled workspace framed by the home's original window detailing; while behind a deep green door, the powder room takes on a more playful personality with bird-and-botanical wallpaper and a pleated vanity skirt. 'A room can wear quite a lot of pattern if everything knows exactly why it's there,' she adds.
Primary Bedroom: Soft taupe, graphic pattern and natural timber give the primary bedroom a calm, cocooning feel, softened by abundant natural light. Bed, JTD Studio Line; Bedding, Quince; Nightstands, SLTWTR Co.; Table Lamps, Shoppe Amber Interiors; Lounge Chair & Ottoman, Arjé upholstered in Rose Tarlow Fabric.
Upstairs, the primary bedroom feels decidely calmer, 'but it still carries the same confidence that runs throughout the house,' says Tamara. Warm walls and generous original windows fill the room with sunlight, while a patterned upholstered bed brings the same appetite for pattern seen elsewhere in the house. A deep red rug and rust-colored bolster add touches of unexpected red, balanced by natural timber, woven textures and a quiet reading corner by the window.
Primary Bathroom: Green wainscoting, warm reddish-pink marble and aged brass bring Victorian character to the primary bathroom. Mirrors, Shoppe Amber Interiors; Stool, Sarah Sherman Samuel x Lulu and Georgia; Sconces, Nook Collections; Cafe Curtain Fabric, Classic Cloth.
Heading into the primary bathroom, you'll find many of the home's signature elements in a quieter setting: green wainscoting, warm marble, aged brass, and original Victorian detailing. A generous double vanity runs along one side of the room, while a freestanding tub sits beneath the windows, softened by patterned cafe curtains and natural light. Despite the rich materials, the room feels calm rather than overly polished – 'every room changes its tone without changing the conversation.'
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Perhaps the most successful thing about this house is that its character reveals itself gradually, with the stained glass, dragonflies, wallpaper, handcrafted tiles and unexpected pieces each offering something new to discover. 'We love the idea that someone could visit the house for years and still notice something new,' says Tamara. 'To us, that's what gives a home longevity.'
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Charlotte is the style and trends editor at Homes and Gardens and has been with the team since Christmas 2023. Following a 5 year career in Fashion, she has worked at many women's glossy magazines including Grazia, Stylist, and Hello!, and as Interiors Editor for British heritage department store Liberty. Her role at H&G fuses her love of style with her passion for interior design, and she is currently undergoing her second home renovation - you can follow her journey over on @olbyhome