'At the foot of the Mourne Mountains in County Down sits an unassuming workshop originally conceived by Norwegian textile designer Gerd Hay-Edie. Nurtured by her daughter Karen and subsequently her grandson Mario Sierra, Moore Textiles remains a family-run business, famed for its collaborations with designers including Terence Conran and Robin Day.
Original techniques are still in use to produce fabrics inspired by the dramatic landscape as well as Gerd’s archives.
See: Textile trends – the latest looks for fabrics
For as long as I can remember, looms have been part of my life. When I was seven, we went to Rostrevor at the foot of the mountains to live with my grandmother and I spent hours playing in her workshop. My mother taught me how to weave using scraps of tweed and coloured yarns and later, when I was at Winchester School of Art, my grandmother showed me how to create her Mourne Check fabric. However, at that time I wasn’t ready to take up the mantle – I needed to explore the world first.
I am constantly inspired by my grandmother. At the age of 18, she left her home in Norway and travelled alone to Spain where she set up a small weaving workshop. She moved to the UK and then the Far East before settling in Norther Ireland. Many of the looms we use today were imported by her in the 1950s. Gerd was a creative visionary whose work caught the attention of designers and brands such as Liberty. We’re currently revisiting her wonderful archives.
After travelling in Europe, Africa, America and Asia working in TV production, I was ready to join the family business. It had slowed during the 1980s but, a few years ago, the time was right to revitalise it. Along with my mother, Karen, I returned to the archives to source yarns and bring the designs back into production. We are upgrading the looms, training a new generation of handloom weavers, finding new markets for our fabrics and designing fresh collections.
I think there is an honesty to handloom weaving that people appreciate. The looms themselves are relatively simple machines, yet they can produce fabric that is complex and luxurious. My mother is still very much involved in the workshop, mostly focused on training apprentices and deconstructing my grandmother’s designs.
Today, with a team of seven weavers, the workshop is incredibly busy with warp making, bobbin winding and fabric weaving, but at nights and at weekends it becomes another world. I love to spend time in and around the looms when no one else is here, appreciating a sense of creative calm and selecting on the designs being produced.
The ever-changing shades of textures and the Mourne Mountains are reflected in our textiles. They are covered in heather, fern and grass, their colours altering throughout the seasons. Likewise, our yarns have an organic feel with natural flecks that echo the landscape.
At times it feels like we are being led on an exciting journey. Every month brings new prospects and collaborations with interior and fashion designers. We’ve just launched a new range of scarves woven with yarns that combine a luxurious blend of merino, silk and cashmere, as well as a children’s range of blankets and cushions. I think my grandmother would be proud. Knowing her, she’d be itching to get involved. That’s a good feeling.'
Mourne Textiles, 020 7274 5664, mourntextiles.com.
Photography/ Tara Fisher
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Jennifer is the Digital Editor at Homes & Gardens. Having worked in the interiors industry for a number of years, spanning many publications, she now hones her digital prowess on the 'best interiors website' in the world. Multi-skilled, Jennifer has worked in PR and marketing, and the occasional dabble in the social media, commercial and e-commerce space. Over the years, she has written about every area of the home, from compiling design houses from some of the best interior designers in the world to sourcing celebrity homes, reviewing appliances and even the odd news story or two.
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