I’ve noticed all my favorite hotel rooms have this one thing in common – and designers swear the classic style is making a comeback

I’ve realized that almost every hotel bedroom I truly love has one feature in common – a fabric four-poster bed. It’s the detail that transforms a room from simply chic to utterly memorable. I think it’s the cocooning thing. For me, that’s the essence of a tailored bedroom: structure and precision balanced by softness and comfort.

Fabric four-posters are not new. Historically, they were practical in nature, designed to be placed in the center of the room – the enclosed nature of the bed keeping out the cold and noise. That evolved to half testers and canopies dressed in yards of chintz and heavy drapery.

What excites me now is how designers are giving them a fresh, contemporary life. Instead of fussy swags, today’s iterations feel more current, whether that’s through the choice of crisp linens or graphic stripes, or when bold prints are finished with neat trims and sharp silhouettes.

It's part of a wider trend for more tailored spaces (a style that we have made the focus of our new Tailored Bedroom capsule collection). Fabric four-posters still deliver that sense of drama and cocooning, but with the modern confidence of a more structured space.

The best hotel to look at here is Martin Brudnizki’s Le Grand Mazarin in Paris. Here, the beds are almost theatrical, and they set the tone for the whole space, anchoring the room. A similar approach can be seen in Rachael Gowdridge’s The Netty, which we recently awarded a Design Award to. She’s also reimagined the classic tester bed with a lighter, more refined hand, creating a cocooning, chic retreat (the rich color palette helps enormously, too – another strong thread).

But what about at home? Does this all just feel way too fussy? Absolutely not, with many of my favorite designers leaning in. In her own bedroom at home, Rachel Chudley created a grand gesture by hanging Schumacher’s Jennie Velvet all the way up the wall and over the bed, contrasting it with a bamboo-stalk repeat on the headboard.

'I wanted to pay homage to the use of tapestry in traditional bed hangings, such as those seen in Hardwick Hall in Derbyshire, but with the feeling of something more contemporary,' Rachel explains. It’s a clever twist – using the idea of a canopy without a frame, but still with all the drama.

London-based designer Stephanie Barba Mendoza took a different route when asked to create a chintz-filled bedroom for a house outside Antwerp. She chose Jean Monro’s Fern Stripe fabric and wallpaper to create a fully enveloping canopy bed.

'This whimsical room is warm and inviting, and we felt it was the perfect opportunity to create a canopy for the bed,' she says. 'I love the idea of climbing into bed at the end of a day and being totally encompassed by soft florals and foliage. It’s almost dreamlike, which feels appropriate.'

What unites all these examples, whether in boujee hotels or modern homes, is the way fabric four-posters sharpen the room with structure while softening it with fabric, creating a balance of precision and comfort that feels both luxurious and timeless.

If tailoring is about those finishing touches that make everything hang together, then the fabric four-poster is its ultimate expression – a statement that anchors the space, edits the mood, and makes any bedroom feel instantly more considered. In short, it’s the tailored bedroom perfected.