'It’s a home that invites you to take your shoes off, curl up with a book, or open the windows to let in the salty air' – how a design duo took a dated house and turned it into a dreamy Swedish summer retreat

'It’s not just a renovation – it’s a restoration of feeling'

Cream living room with the windows painted in a pale blue. A striped blue and white sofa is against the far wall and a brown vintage armchair sits in front with a rattan coffee table in the center
(Image credit: Andrea Papini)

The best homes strike a balance between being trendy and timeless. They feel of the time, but also you can't quite date the spaces because they don't lean too much into one look or one trend. And this renovation project gets the balance so right, creating a house that feels like it could have been designed a month ago, or 100 years ago.

The team behind this beautifully reimagined country house, located in Torekov, Sweden, is Studio Ramson, and they were tasked with bringing this balance back to this characterful, but dated property. Bring it into 2025, without losing any of its charm. The result is a home that plays with color and pattern, mixes old and new, yet feels cohesive and calming.

Exterior of a rustic Swedish summer house with pink walls and a dark gray double front door

(Image credit: Andrea Papini)

'The house is located in a tiny, old fishing village on the southwestern coast of Sweden – one of those places where time seems to slow down,' explains Ika Ramel and Sanna Nathanson, the studio's founders. 'Narrow cobbled streets, small boats bobbing in the harbor, weather-worn facades. This house sits right in the heart of it all, and it’s likely one of the oldest buildings in the village. There’s something truly magical about the setting – the light, the sea breeze, the sense of history.'

Homes & Gardens spoke with the duo to take a tour of the project and find out more about the design decisions behind these balanced, chic yet characterful, trendy yet timeless, bold yet liveable spaces.

Two side by side images of a staircase and hallway. The walls are painted in a pale cream and the stairs in a pale blue, the runner is multi-colored stripes

(Image credit: Andrea Papini)

'Before we started on this project, the house had charm, no doubt – but it was a bit of a patchwork of different eras and styles. You could sense its potential, but it lacked cohesion. There were design decisions made over time that didn’t necessarily speak to each other. The overall feeling was somewhat disjointed – like the house hadn’t quite decided what it wanted to be yet. Our aim was to bring out its personality, rather than layer on another one.'

Two side by side images of a dining room. One pictures the corner of the room with a bench with striped cushions and a small circular table. The other images show a larger wooden dining table and internal doors into the living room painted in pale blue

(Image credit: Andrea Papini)

'The homeowner is someone with a genuine interest in interiors and a strong sense of personal style. From the beginning, he expressed a clear wish: to create a home that felt light and summery, but also warm and intimate – a place to enjoy long, lazy summer days as well as quiet winter evenings. That desire to strike a balance between brightness and coziness really shaped our decisions throughout the project, from the choice of colors and textures to how we approached the layout and use of space.'

'The overall style of the home is intimate, heartfelt, and beautifully unpretentious. There’s a sense of ease about it – nothing feels forced or overly styled. The space is small, but every corner is thoughtfully used. You get the feeling that everything in the house has been chosen or kept for a reason. It’s a home that invites you to take your shoes off, curl up with a book, or open the windows to let in the salty air.'

Pale cream living room with wooden beams and window frames painted in pale blue. A striped sofa sits in the middle with a rattan coffee table in front

(Image credit: Andrea Papini)

'We always start any renovation by listening to the house – what’s worth preserving, what’s quietly asking for change. In this case, we replaced a more recent flooring with traditional wooden planks that felt more authentic to the building’s age and setting. One major change we knew we had to make was adding a bathroom upstairs, which required careful planning since space was extremely limited. But with some clever design solutions, we managed to fit it in without compromising the character or flow of the home.'

Two side by side images of bedrooms. One has a checkered headboard and striped wallpaper. The other has vintage-style yellow wallpaper and a gray upholstered headboard

(Image credit: Andrea Papini)

'We wanted the color schemes to be something more nuanced than plain white – something soft but with personality. The palette needed to feel light and fresh in summer, yet warm and embracing in winter. We think that finding the right tone is always more about feeling than formula.'

'We worked with the Swedish paint brand Alcro. The yellow shade, “Champinjon”, is mellow and grounded, like soft sunlight. The blue, “Fjärilslarv”, is light and slightly whimsical – just enough to lift a room without taking over. Together, they create a quiet, balanced mood that fits the house’s coastal character.'

An attic bedroom with a white ceiling and pale yellow paneled walls. A small window has a pale blue Roman blind and the bed is made with white sheets and a pink and yellow patterned throw blanket

(Image credit: Andrea Papini)

'And as long as the color palette holds together, the patterns can be more free. It’s about trusting your eye, not following a formula. Don’t be afraid to mix prints. Patterns are like people – they don’t all need to match, but they do need to get along. We often work by instinct: start with one anchor piece – a curtain, a rug, a cushion – and let the other elements grow from that.'

Two side by side images of a blue and white kitchen with brown and white checkerboard tiles. The floors are in a pale unfinished wood

(Image credit: Andrea Papini)

'The kitchen is mostly original – we actually kept the main structure intact. Instead of starting from scratch, we gave it new life with a fresh coat of light blue paint, new stone countertops, updated tiles, and a new stove. The idea was never to erase the past, but to quietly refresh it. It’s one of those rooms where old and new blend seamlessly, and it still holds the soul of what was there before.'

Two side by side images of a bathroom. One has a pale yellow ribbed vanity sat under a small arched windows. The other has a pale pink ribbed vanity and a mirrored cabinet above

(Image credit: Andrea Papini)

'We believe a home should never feel like a showroom, so for us, sourcing is such an important part of our process. Many of the pieces used in this home are antiques or flea market finds, carefully selected for their character and patina.'

'We also had a few things custom made, and always try to incorporate the client’s own pieces when possible – sometimes they just need a little love, a new fabric, or a fresh perspective. That mix is what makes a space feel personal and alive.'

White living room with a fireplace surrounded by glossy green tiles and a circular mirror hanging above. Two chairs sit in the alcoves with pink cushions

(Image credit: Andrea Papini)

'This project was truly a labor of love. The house may be small, but it holds so much heart. Every detail – from the curve of a chair leg to the grain of a kitchen cabinet – tells a quiet story. We always strive to create homes that feel lived-in from the moment you walk in, and this one really does. It’s not just a renovation – it’s a restoration of feeling.'

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Hebe Hatton
Head of Interiors

I am the Head of Interiors at Homes & Gardens. I started off in the world of journalism in fashion and luxury travel and then landed my first interiors role at Real Homes and have been in the world of interior design ever since. Prior to my role at H&G I was the digital editor at Livingetc, from which I took a sabbatical to travel in my self-converted van (not as glamorous as decorating a home, but very satisfying). A year later, and with lots of technical DIY lessons learned I am back to writing and editing, sometimes even from the comfort of my home on wheels.

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