'English country house meets Palace of Versailles' describes the mood of this exuberant vacation home on Lake Saranac
This alluring former cabin in the Adirondacks has been redesigned for the owners to indulge in leisure time


Lake Saranac in the Adirondacks is, according to Miles Redd, one of the two experts behind the house design of this property, the ‘last vestige of unspoiled country, like stepping back in time where life is peaceful and people just want to hang with their families’.
And such is the vibe at this sprawling lake house, a 1950s former summer camp cabin, that Miles and his business partner David Kaihoi of Redd Kahoi have overhauled. It is now a seven-bedroom estate, including a boathouse and bunkhouse, and perfect for the family who own it to use as a gently hedonistic vacation home.
Chairs and sofa, Luther Quintana; in Ferns Print by Lee Jofa. Custom slipper chair, Billy Baldwin Studio. Moroccan rug (under coffee table), Metropolitan Carpet. Coffee table, Doyle Auctions.
‘It has a warmth and a generosity to it,’ Miles says. ‘It’s such a casual place but with a sophisticated and laid-back spirit.’ The designers carefully enhanced all of the principles of what it was built for: a place for homely fun, for board games and ping-pong matches, for stargazing and sofa lying, for reading, chatting, and getting together.
‘One of Miles’ great skills is his ability to tell a story through a space’s layout,’ David says. ‘He tells you how you’re going to live in a room – the reading nook spot, or a desk to write a letter. He places pieces suggestively that call out to you in a way that helps you indulge in a life of wonderful pursuits.’
Walls in Bird’s Egg; floor in Chrome Green, both by Benjamin Moore. Louis XVI dining chairs and dining table, both Doyle Auctions.
Nowhere is this more in evidence than in the large living room with its double-heigh ceilings, vast sofa area, a games table, and some reading chairs by the fire. ‘That serpentine sofa takes up a whole space, but it’s a major place to crash, where everyone can just hang out,’ David says.
Miles attributes his clever ability to come up with successful layouts to a formative stint working with the designer Bunny Williams. ‘She just knows where furniture goes and she understands what you need to fill a space without taking it over.’
Bermuda outdoor side table and outdoor sofa, both Miles Redd for Ballard Designs.
That knowledge has also been used by the designers to artfully play with mixing pattern, to seemingly clash large rugs with detailed wallpapers in rooms that, remarkably, still seem calm and serene, rather than overwhelmed.
‘You just have to follow a color palette,’ David explains, adding that they almost always pick a rug for a room before anything else. ‘And then the colors spring from that,’ he says.
Victorian bed; Chesterfield sofa; antique Mahal carpet, all Doyle Auctions. Aleppo Red wallpaper, Iksel Decorative Arts. Wall lamps, Visual Comfort & Co.
Emerald green is a hue that appears repeatedly, on chair fabrics, and door trims, even used in high gloss to coat the wood floors in the kitchen. ‘It’s a bright touch and a modern play on the classic camp colors,’ David says. ‘It has a deep richness that suits a log cabin but it’s also a happiness-inducing shade, taking the best of nature and adding a vividness that boosts your spirits.’
With its transitional style mixing antiques and classic contemporary fabrics, the house feels very artfully curated, filled with personality and pieces that make the designers and owners smile. Take the antique zebra head in the great room, for example. ‘That was just a play on the house’s history of taxidermy,’ David says. We found some old photos that hinted at a hunting past, and this was a nod to that.’
Bath, Randolph Morris. Rugs and desk, Doyle Auctions.
Miles always likes to include some unexpected idiosyncrasies in his work, but they serve a purpose rather than being just for fun. ‘They’re things that I find amusing or witty or stylish, but they also help to take your eye up a level, if hung on a wall, or down to the floor, if it’s a piece of furniture. They have to have an aesthetic function, too.’
Many of the pieces for this home were picked up at auction houses. ‘Auctions are just the best stomping grounds,’ Miles says. ‘You’re buying from other people who love to collect, so you can find amazing things at real value. You can find good stuff everywhere if you know where to look.’
Willow Boughs wallpaper, Morris & Co. Custom headboard, Fine Arts Furniture. Wall lamp, Visual Comfort & Co.
Miles describes this project as an English country house with a touch of the Palace of Versailles, and that decadence is in evidence when it comes to flourishes like a bath in the study.
‘Why wouldn’t you have one, if you could?’ twinkles David, a sentiment that also applies to the ping-pong table and firepit by the lake, ideas that show just how this home is a celebration of all the most uplifting elements in life.
L’Espalier wallpaper, Brunschwig & Fils. Custom daybed, Fine Arts Furniture. Table lamp, Arteriors. Desk and slipper chair, both Doyle Auctions.
The 3 rules of rugs according to Designer David Kaihoi
Designer David Kaihoi shares the secrets of working with patterned and personality-filled rugs
1. When it comes to the size, you almost can’t go too big. If there is no carpet and it’s just bare wood boards then fill the room – it expands the space. A lot of the rugs we use are almost wall-to-wall and honestly the bigger you go, the better.
2. Rugs are usually the first thing we source for a room, and the rest of the space’s palette flows from them. So think of them as a road map for your scheme, using the shades in their patterns as directions for what colors to use elsewhere. Don’t be afraid to mix patterns – just find a common thread in a colour and you’ll be fine.
3. For comfortable spaces and relaxed areas, we favor wool rugs. It’s what most old rugs are made from anyway, and this material is both comfortable and hard-wearing. But for a more formal space with less traffic, or for somewhere private like a bedroom or dressing room, choose silk, which is a little more refined.
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Pip Rich is an interiors journalist and editor with 20 years' experience, having written for all of the UK's biggest titles. Most recently, he was the Global Editor in Chief of our sister brand, Livingetc, where he now continues in a consulting role as Executive Editor. Before that, he was acting editor of Homes & Gardens, and has held staff positions at Sunday Times Style, ELLE Decoration, Red and Grazia. He has written three books – his most recent, A New Leaf, looked at the homes of architects who had decorated with house plants. Over his career, he has interviewed pretty much every interior designer working today, soaking up their knowledge and wisdom so as to become an expert himself.
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