'It will always have a warm, autumnal atmosphere' – explore an elegant red brick home that's a lesson in creating cozy yet chic interiors

With its interplay of light and shade and a focus on hand-honed natural materials, the redesign of this London townhouse by Pernille Lind is endlessly evocative

Open plan dining room with three large arched windows each with long cream drapes. A large wooden dining table sits in the middle of the space with two pendant lights with white shades hanging above
(Image credit: JOACHIM WICHMANN)

On her first visit to this home in an exclusive area of north London, Pernille Lind was struck by its leafy setting. ‘It was autumn, and the fallen leaves looked striking against the house’s beautiful red brick exterior.’ By the time she left, a color scheme was taking shape in her mind – one that delved into mellow tones such as dusky olive green, chocolate brown, and burgundy, which could be combined with lighter elements. Today, this is a family home for all seasons, but for Pernille, ‘it will always have a warm, autumnal atmosphere.’

Exterior of a large red brick home

(Image credit: JOACHIM WICHMANN)

During her redesign of this entire home for a family of five, Pernille, founder of Pernille Lind Studio, remained ever mindful of the house’s inherent character and heritage. While she wanted to reflect its Victorian roots, there was also a glass and teak extension that had been added in the 1950s.

Though this needed to be replaced with a more modern wraparound version, its mid-century character and rich tones inspired new pieces of bespoke teak-stained oak joinery that Pernille designed for many rooms in the house. In this way, the home displays a seamless interplay of eras alongside a careful balancing of light and shadow.

Cream living room with a fireplace that's tiled in glossy bodwn square tiles. There is a white coffee table on top of a round rug and two brown velvet stools

Dining Room Snug: A cascade of watery zellige tiles adds a surprise texture, while curvaceous furniture echoes the outlines of the windows. Zellige tiles, Ateliers Zelij. Coffee table, bespoke by Fontanili Marble UK for Pernille Lind Studio. Pouffes, bespoke by Circus 25 for Pernille Lind Studio. Rug, Coral + Hive.

(Image credit: JOACHIM WICHMANN)

As the design centered around a palette of dark-toned timber and rich, autumnal shades, effective lighting ideas were a key part of Pernille’s vision. ‘Being Danish and having experienced long, dark winters, I’m aware that lighting is the most crucial element in any room, as it sets the mood and creates atmosphere,’ she says.

Open plan dining room with three large arched windows each with long cream drapes. A large wooden dining table sits in the middle of the space with two pendant lights with white shades hanging above

Dining room: Pernille Lind Studio designed the metal doors leading into the garden. 'Our overall desire was to create an atmosphere rich in materiality and personality,' says Pernille. Coble dining table, Hyem by Lind + Almond. Dining chairs, De La Espada. Sofa, custom-made by Circus 25 for Pernille Lind Studio. Pendant lights, Workstead

(Image credit: JOACHIM WICHMANN)

Homage was paid to the Victorian high ceilings and their intricate cornices by hanging chandeliers from a central ceiling rose, but Pernille selected designs that reflect a mid-century aesthetic rather than more formal styles in crystal or glass.

She then added decorative lighting at lower levels to accentuate areas and illuminate artworks. ‘Lighting should be used to highlight specific features or, conversely, kept subtle to generate shadows and depth,’ she adds.

A light filled kitchen with cream walls and wooden cabinetry. A darker wood kitchen island sits in the center with a white marble countertop

(Image credit: JOACHIM WICHMANN)

The clients embraced Pernille’s love of materials and textures – from the distinctive marbles used in the kitchen and main bathroom to woven wallpaper, bespoke joinery, and decorative glass. Even some paint choices come with added texture, with Bauwerk limewash used in areas of the new extension and gloss finishes on woodwork in the original part of the house.

Left image: the view into a pantry through a wooden door. The pantry beyond has wooden cabinets and shelves above with jars and glasses. Right image: a close up shot of kitchen shelving above a sink. The countertops an backsplash are marble and the shelf is decorated with books and rustic crockery

Kitchen: 'Unique marble gives this space its own character,' says Pernille, who used the material creatively so that it appears to run from worktop to splashback to shelf. Marble, Fontanili Marble UK. Wall lights, English Lamp Company

(Image credit: JOACHIM WICHMANN)

Throughout, oak flooring adds continuity, while a standout tactile feature is a fireplace clad in zellige tiles. This shimmering surround is another example of how Pernille has introduced modern elements in a seamless way.

‘This home needed to feel contemporary while integrating classic elements and traditional furniture, which the owners wanted to bring from their previous house,’ she explains.

A large study with a wall of glass fronted, built in wooden cabinets and an oval glossy red desk in the middle of the room

Study: Crafted oak doors divide this workspace from the sitting room, using glass featuring a floral design as a subtle link to the romantic garden outside. 525 table, Charlotte Perriand for Cassina. Table lamp, Alex Robinson. Bespoke cabinetry by End Grain for Pernille Lind Studio.

(Image credit: JOACHIM WICHMANN)

Pernille collaborated with McGuinness Architects and contractors Beam Development, whose work included a wraparound extension that added a games room, cinema room, boot room, and laundry area.

She ensured continuity between the old and new spaces by using natural materials such as timber, marble, brass, woven rattan, mohair, and velvet. These choices helped instill a sense of longevity, as if the spaces had always existed.

‘Because these materials tend to outlast us, they evoke a sense of permanence and authenticity,’ she explains. When we’re surrounded by surfaces that have been crafted and honed by hand, ‘we’re subtly reminded of a time before modern technology,’ she adds.

Left image: an overview of a large bathroom with a gray and white marble floor and a free standing white bathtub in the window. Right image: a close up of the walk in shower in the bathroom which is totally glad in gray and white marble

Main En Suite: Indulgent book‑matched marble is the focus here, wrapping around the shower, complete with a seat. Breccia Medicea marble, Fontanili Marble UK. Bath and brassware, The Water Monopoly. Pendant light, Contain

(Image credit: JOACHIM WICHMANN)

That’s one reason Pernille designed the kitchen cabinets in teak-stained oak rather than a painted style. ‘This is a house that can carry this more textured and characterful material,’ she says. The cabinets also echo the bespoke storage found in other areas.

As always, cohesion and harmony are Pernille’s bywords. ‘The result is a home that gracefully balances coziness and sophistication,’ she says.

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